{"id":14536,"date":"2026-04-22T16:25:03","date_gmt":"2026-04-22T16:25:03","guid":{"rendered":"https:\/\/mjstar.co.uk\/?p=14536"},"modified":"2026-04-22T16:25:10","modified_gmt":"2026-04-22T16:25:10","slug":"mjstar-review-michael-2026-biopic","status":"publish","type":"post","link":"https:\/\/mjstar.co.uk\/index.php\/2026\/04\/mjstar-review-michael-2026-biopic\/","title":{"rendered":"MJStar Review:\u00a0Michael\u00a0(2026 Biopic)"},"content":{"rendered":"\n

After years of anticipation, Michael<\/em> has finally arrived \u2014 and as a fan, this was always going to be a film watched with high expectations.<\/p>\n\n\n\n

\"\"<\/a>
Michael<\/figcaption><\/figure>\n\n\n\n

The strongest aspect of the film is without question the performance from Jaafar Jackson. His portrayal of his uncle is genuinely impressive, capturing the voice, movement, and presence in a way that feels authentic rather than imitated. There are moments throughout the film where the line between performance and reality feels incredibly thin. Alongside him, Colman Domingo delivers a powerful and intense performance as Joe Jackson, adding weight to the complicated father-son dynamic that the film leans heavily into.<\/p>\n\n\n\n

Rather than telling Michael Jackson\u2019s story in depth,\u00a0Michael<\/em> often feels like a \u201cgreatest hits\u201d montage, moving quickly from one moment to the next without allowing key periods to fully breathe. <\/p>\n\n\n\n

Important chapters of Michael\u2019s life are either rushed or entirely absent. His early years are skimmed over far too quickly, the Motown audition is missing and significant milestones \u2014 such as his role in\u00a0The Wiz<\/em> where he first meets Quincy Jones \u2014 are missing, despite their importance in shaping the\u00a0Off the Wall<\/em>\u00a0album. Influential figures like Diana Ross do not appear, and his manager Frank DiLeo are completely absent from the narrative.<\/p>\n\n\n\n

What makes that omission even more noticeable is that the film instead places focus on John Branca, whose role becomes increasingly prominent in the later parts of the film. While Branca was undeniably important, the imbalance feels odd \u2014 particularly given Frank DiLeo\u2019s central role during the\u00a0Thriller<\/em>\u00a0era. <\/p>\n\n\n\n

Even when the film does turn its attention to the Jackson family, it simplifies things to the point of inaccuracy. The portrayal gives the impression that Michael had only one sister, La Toya Jackson.<\/p>\n\n\n\n

Cultural moments are also underdeveloped. The impact of\u00a0Motown 25<\/em>\u00a0is brushed past without exploring its role in launching the\u00a0Thriller<\/em>\u00a0phenomenon and the impact it made in America, and there is no depiction of the famous call from Fred Astaire \u2014 something Michael himself once described as one of his proudest moments. The unprecedented success of\u00a0Thriller<\/em>, including awards and global recognition, is condensed into brief glimpses rather than explored as the defining moment it truly was.<\/p>\n\n\n\n

Beyond performance and milestones, some of the most defining decisions of Michael\u2019s career are completely missing. There is no mention of his acquisition of the Beatles\u2019 publishing catalogue from Paul McCartney \u2014 a landmark business move that demonstrated his vision beyond music. Equally surprising is the absence of Neverland, his iconic home, which became a central part of his identity and public image. Leaving out both moments removes key insight into Michael not just as an artist, but as a global figure shaping his own legacy.<\/p>\n\n\n\n

Beyond the timeline, the film also misses some of the more personal and nuanced aspects of Michael\u2019s character. His perfectionism in the studio, his relentless dedication to dance, and his well-documented shyness are largely absent. His health conditions, including Vitiligo and Lupus, are only briefly acknowledged, leaving an incomplete picture of the challenges he faced.<\/p>\n\n\n\n

Instead, the film places much of its focus on Michael\u2019s relationship with his father and his desire to break away from the Jackson family. While this is an important part of his story, the heavy emphasis on this theme comes at the expense of other equally significant elements of his life and career.<\/p>\n\n\n\n

In the end,\u00a0Michael<\/em>\u00a0is an enjoyable and well-acted film, elevated significantly by Jaafar Jackson\u2019s standout performance. However, it ultimately feels rushed and incomplete. Michael Jackson\u2019s life and legacy are simply too BIG to be condensed into a single film with this approach.<\/p>\n\n\n\n

According to the end credits “His Story Continues…”.<\/p>\n","protected":false},"excerpt":{"rendered":"

After years of anticipation, Michael has finally arrived \u2014 and as a fan, this was always going to be a film watched with high expectations. The strongest aspect of the film is without question the performance from Jaafar Jackson. His portrayal of his uncle is genuinely impressive, capturing the voice, movement, and presence in a way that […]<\/p>\n","protected":false},"author":1,"featured_media":14528,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14536","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-do-not-use"],"yoast_head":"\nMJStar Review:\u00a0Michael\u00a0(2026 Biopic) - Michael Jackson MJSTAR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mjstar.co.uk\/index.php\/2026\/04\/mjstar-review-michael-2026-biopic\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MJStar Review:\u00a0Michael\u00a0(2026 Biopic) - Michael Jackson MJSTAR\" \/>\n<meta property=\"og:description\" content=\"After years of anticipation, Michael has finally arrived \u2014 and as a fan, this was always going to be a film watched with high expectations. 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